“are you feeling alright?”
I do not have a good answer to the question. Well know that i’m talking Back to an algorithm – Even with a different band maniac asking everyone the same question – doesn’t soften the blow. May i Can we? Is anyone, really?
In this case, it is referring to Waxhatche. I mean, yes, I totally listened to Waxhach a lot this year. Waxhatch is good. St. Cloud was one of my favorite albums of the year. Katie Crutchfield’s music is not present in Elliot Smith, Leonard Cohen Bin for me. When you see my whole band, there is no time to send signal flares Spotify Social feed.
The Spotify Roasting AI which is making the rounds this week is a fun exercise in the music Snowberry. Some big truths can also be brushed against here. I think we all considered passing this year at least when Spotify introduced its annual “rapped” year in review.
What is the soundtrack for the worst year ever? What do we hear when the world burns? In 2009, a former CNN intern stumbled upon a videotape in the archives labeled with the title, “Turner doom day video.” The minute-long video features a band playing, “Near My God to Thee,” supposedly the last song played by the band on Titanic. It gave clear instructions, “HFR [Hold for Release] Confirmed until the end of the world.
Barring any sort of last-minute surprise, it seems unlikely that we’ll make it to a complete-apocalypse shy by 2020 (despite, perhaps, the best efforts of some). But for me, Spotify’s year in review was a testament to the year of hell, as my Apple Watch Exercise bar saw zero late March-March and late April, as the epidemic bored into my home in Queens, New York, and I Dealt with. Some Personal Health Issues.
What was introduced as a festive aggregation of my listening habits over the last 12 months, ejected the machine as a testament to long stretches of time where engaging with music felt like an impossibility. Ambient music and post-rock started listening to me again when the songs were very much liked for processing. And I’m sure I’m not alone in listening to some rest tracks with an alarming frequency.
Looking back is a useful reminder of role music that undoubtedly qualified as the worst year for many years. It would be an exaggeration to suggest that music saved my life in 2020, but it certainly took away a lot of emotional gut attacks.
Oliver Sachs wrote, “Music can drive us out of depression or lead us into tears – it’s a remedy, a tonic for the ear, orange juice.” “But in many of my neurological patients, music is even more – it can provide access to life, so to speak, to movement, until one can do medicine. For them, music is a Not luxury, but a necessity. “
Louis Armstrong put it even more succinctly: “Music is life.”
It is a cruel irony that in a year when music means a lot of people, most musicians have struggled to accomplish it. The music arena is certainly not unique in terms of this year, but their struggles have been heralded in an era when streaming revenue offering fractions of cents that musicians make in record sales, and touring for everyone. Has become the most important revenue stream but the biggest name. For the last 10 months, it all but dried up.
Wilco frontman Jeff Tweed said, “The epidemic completely ended the live-music industry.” Mentioned in a recent interview. “There is now almost a full year of almost zero revenue.”
In May, a Survey from Musicians Association 19% of musicians said they could end their career due to the influence of COVID-19. Seven months later, one wonders whether the figure could be optimistic.
Tweedie says, “There will be places to play. But the scenario will never look the same. I imagine that a lot of intimate music will go to places, like a lot of small businesses and restaurants. “
Bandcamp has been a beacon for many. The service’s “Bandcamp Friday”, which forgives its revenue cuts, has so far raised $ 40 million. The site has promised to continue offering the feature at least through May next year.
This year’s conflict has served to raise concerns over streaming royalties. Spotify has been the focal point of much understanding for this conversation, while the company has spent crores to produce its podcast programming. CEO Daniel Eck did himself no favors in July, when he said, “Some artists who did well in the past can’t do well in this futuristic scenario where you record music once every three to four years.” Can’t and think that’s going to be enough. “
In October, Justice on Spotify Rape (and Galaxi 500 member) Damon Kurkowski told me “[R]Spying from some corners of the industry is as cold as we expected: ‘You are just a musician and don’t understand business,’ is the basic principle. To which I will say: The problem we are focusing on is that musicians are left out of the conversation! We always come in paid and consulted – even though our work is what builds a streaming business. “
The struggle to survive on music is certainly nothing new. Jazz genius Vilomius Monk was a donor in the famous Baroness Panonica de Koenigswaters. But just because we musicians have failed in the past does not mean that we cannot do better.
Am i ok I’m still not sure, but listening to music seems to help.